Thursday, February 16, 2012

Dial M for Murder



directed by Alfred Hitchcock (1954)

I got kinda bored with this one.  It's too easy to figure out, and you gottta wade through a whole lotta yadayada before you get to the denouement satisfactions.

Ray Milland is defintinely evil, and nasty, greeedy, coldhearted, so I wanted to see him suffer.  He's always got the stiff upper lip though, so his suffering isn't that entertaining.   It's definitely the devious selfish machinations where he delivers; his duplicitous actions are what'll get you all incensed and rooting for him to get nailed.

Grace Kelly is very gorgeous in this, but she's so bland and helpless too.  I felt like her character was being punished too much by the script, though. She's so tortured!  So often the damsel in distress is a boring character of function, just there as a beautiful thang to get threatened and rescued.  Even though she's put through the wringer, at least she had some complexity beyond just being a victim.

I guess I was expecting this to be more crazy than it was.  It's so highly rated, that set me up for something more than what it is - a tightly wound mystery thriller - sorta like a CSI episode.  It feels like a play and that makes sense since it was originally a Broadway production by Fredrick Knott, and he adapted the screenplay as well.  Maybe I'd have liked it better if I saw it in 3D, like it was originally shot.

One scene made me laugh, one cop is walking off with some evidence: a women's purse.  He's got it dangling dainitly on his arm, and as he sets off on his way back to the station, a detective stops him short. "You can't walk around like that, you'll get arrested." And the cop puts the purse inside a satchel to cover up the gender crime.  Holy eh? You'll get arrested!  This is really true though.  At one point in English history, you could be arrested for wearing clothes that didn't define your gender "properly".  It's the actual legal reason behind Joan of Arc getting burned at the stake.  In hindsight, it makes more sense that Albert Nobbs was so terrified to be outed.

In case you're wondering, the Hitchcock cameo is in BITD school photo of the blackguard Milland.




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